Bender, Bert. Sea
Brothers: The Tradition of American Sea Fiction from Moby-Dick to
the Present. Philadelphia: University of Pennsylvania Press, 1998.
Bloom, Harold,
ed. Herman Melville’s Moby-Dick. New York: Chelsea
House, 1996.
Cowan, Bainard. Exiled
Waters: Moby-Dick and the Crisis of Allegory. Baton
Rouge: Louisiana State University Press, 1982.
Davey, Michael. Herman
Melville’s Moby-Dick: A Sourcebook. New
York: Routledge, 2003.
Heimert, Alan. Moby-Dick and American Political Symbolism. Cambridge,
Massachusetts: The Eliot House Edition, 1991.
Levine, Robert S., ed. The
Cambridge Companion to Herman Melville. Cambridge,
UK: Cambridge University Press, 1998.
Morrison, Toni. “Unspeakable Things
Unspoken: The Afro-American Presence in American Literature.” In Within the Circle: An
Anthology of African American Literary Criticism from the Harlem Renaissance to the Present, ed.
Angelyn Mitchell. Durham, North Carolina: Duke University Press, 1994.
Olson, Charles. Call
Me Ishmael. Baltimore: Johns Hopkins University Press, 1997.
Post-Lauria, Sheila. Correspondent Colorings:
Melville in the Marketplace. Amherst: University of Massachusetts
Press, 1996.
Slade, Leonard A. Symbolism
in Herman Melville’s Moby-Dick From the Satanic
to the Divine. Lewiston, New York: E. Mellen Press, 1998.