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Ahab, the Pequod’s obsessed captain,
represents both an ancient and a quintessentially modern type of
hero. Like the heroes of Greek or Shakespearean tragedy, Ahab suffers
from a single fatal flaw, one he shares with such legendary characters
as Oedipus and Faust. His tremendous overconfidence, or hubris,
leads him to defy common sense and believe that, like a god, he
can enact his will and remain immune to the forces of nature. He
considers Moby Dick the embodiment of evil in the world, and he
pursues the White Whale monomaniacally because he believes it his
inescapable fate to destroy this evil. According to the critic M.
H. Abrams, such a tragic hero “moves us to pity because, since he
is not an evil man, his misfortune is greater than he deserves;
but he moves us also to fear, because we recognize similar possibilities
of error in our own lesser and fallible selves.”
Unlike the heroes of older tragic works, however, Ahab
suffers from a fatal flaw that is not necessarily inborn but instead
stems from damage, in his case both psychological and physical,
inflicted by life in a harsh world. He is as much a victim as he
is an aggressor, and the symbolic opposition that he constructs
between himself and Moby Dick propels him toward what he considers
a destined end.
Ace your assignments with our guide to Moby-Dick!