John Character Analysis in Brave New World

Brave New World John Character Analysis

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Although Bernard Marx is the primary character in Brave New World up until his visit with Lenina to the Reservation, after that point he fades into the background and John becomes the central protagonist. John first enters the story as he expresses an interest in participating in the Indian religious ritual from which Bernard and Lenina recoil. John’s desire first marks him as an outsider among the Indians, since he is not allowed to participate in their ritual. It also demonstrates the huge cultural divide between him and World State society, since Bernard and Lenina see the tribal ritual as disgusting. John becomes the central character of the novel because, rejected both by the “savage” Indian culture and the “civilized” World State culture, he is the ultimate outsider.

As an outsider, John takes his values from a more than 900-year-old author, William Shakespeare. John’s extensive knowledge of Shakespeare’s works serves him in several important ways: it enables him to verbalize his own complex emotions and reactions, it provides him with a framework from which to criticize World State values, and it provides him with language that allows him to hold his own against the formidable rhetorical skill of Mustapha Mond during their confrontation. (On the other hand, John’s insistence on viewing the world through Shakespearean eyes sometimes blinds him to the reality of other characters, notably Lenina, who, in his mind, is alternately a heroine and a “strumpet,” neither of which label is quite appropriate to her.) Shakespeare embodies all of the human and humanitarian values that have been abandoned in the World State. John’s rejection of the shallow happiness of the World State, his inability to reconcile his love and lust for Lenina, and even his eventual suicide all reflect themes from Shakespeare. He is himself a Shakespearean character in a world where any poetry that does not sell a product is prohibited.

John’s naïve optimism about the World State, expressed in the words from The Tempest that constitute the novel’s title, is crushed when he comes into direct contact with the State. The phrase “brave new world” takes on an increasingly bitter, ironic, and pessimistic tone as he becomes more knowledgeable about the State. John’s participation in the final orgy and his suicide at the end of the novel can be seen as the result of an insanity created by the fundamental conflict between his values and the reality of the world around him.