Henry invites Lenina to a feely, but she declines. He notices that she is upset and suggests that she might need a “Violent Passion Surrogate,” or V.P.S. Later she complains to Fanny that she still does not know what it is like to sleep with a savage. Fanny warns her that it is unseemly to become obsessed over one man and that she should find someone else to take her mind off of him. Lenina replies that she wants only John. Other men simply cannot distract her.
Lenina takes soma and visits John, intending to seduce him. She remarks that he does not seem pleased to see her. John falls to his knees and begins quoting Shakespeare to express his adoration. He speaks about marriage and declares his love for her. She asks why he had not said anything if he had wanted her all along. However, his talk about lifelong commitments and growing old together horrifies her.
Lenina presses her body against his and begins to remove her clothes. John becomes furious and terrified. He calls her a whore and slaps her. She locks herself in the bathroom while John reenacts King Lear’s disgusted tirade against womankind and biological generation (
John hurries to the Park Lane Hospital for the Dying. He whispers impatiently to a nurse that he wants to see his mother. Blushing furiously at his use of the word
Linda mistakes John for Popé. He shakes her angrily, demanding that she recognize him as her son. She says his name, starts to recite a hypnopaedic phrase from her childhood, and then begins to choke. He rushes to the nurse in a fit of grief to ask for help, but Linda is dead by the time they get to her ward. John sobs uncontrollably while the nurse worries about the damage done to the children’s death-conditioning. She hands out chocolate éclairs to the Bokanovsky twins. One twin points to Linda’s body and asks John, “Is she dead?” John pushes him to the floor and rushes out of the ward.
In the hospital vestibule, John encounters two Bokanovsky groups of Delta twins picking up their soma rations after their shift. With bitter irony, he recalls the lines, “How many goodly creatures are there here! How beauteous mankind is! O brave new world.” With “O brave new world” echoing in his head, John cries out for them to stop taking the soma rations. He tells them that it is a poison meant to enslave them and asks them to choose freedom. The man distributing the soma calls Bernard at home. Helmholtz answers the phone and relays the news about John’s statements to Bernard. They rush to the hospital together.
The uncomprehending faces of the Delta workers infuriate John. He throws the soma rations out a window. The Deltas rush at him in fury. Helmholtz, who has just arrived, jumps into the fray to help defend John. Bernard hesitates. He knows John and Helmholtz might be killed if he doesn’t help, but he is afraid of being killed while trying to help them. He feels shame at his indecision. The police arrive, spraying soma vapor and a powerful anesthetic. Meanwhile, a recorded voice asks why the rioters are not happy together. Before long, the Deltas are crying, kissing one another, and apologizing. Their soma rations are quickly restored. The police ask Helmholtz and John to come quietly. Bernard tries to slip out the door unobserved, but he is caught before he can escape.
The dramatic riot incited by John is the climax of the novel. John’s growing revulsion against everything in the World State finally propels him into a direct confrontation with it, and the authorities are forced to intervene. The events that immediately precede the riot reveal the conflicting forces that culminate in John’s outburst.
John’s struggle with his physical desires, first introduced on the Reservation, continues when Lenina tries to seduce him. He insists on seeing Lenina as a pure, virginal woman, possessed of complete sexual modesty. To John, Lenina is only an abstract rendering of all the virtuous women he has read about in Shakespeare’s works. He struggles with the physical side of sexuality to the point that he wants to repress it entirely. When Lenina makes a pass at him, he calls her a whore for breaking the rules of a moral code she is not even aware of. “Whore” is the only other category that he has to understand Lenina. It is significant that when he locks himself away from Lenina, he chooses to read
John’s experience in the Hospital for the Dying demonstrates the dehumanizing logic that the World State applies to the death experience. Any tolerance he might once have felt for the practices and people of the World State disappears. He thinks of the Bokanovsky twins as maggots who defile his grieving process. Unfortunately for John, his mother is no help. Drugged on soma, she mistakes him for Popé. John’s fury and agony reflect the growing anguish he experiences when he is not recognized in the World State, even by his own mother. The society of the World State names him “the Savage,” associating him with a set of stereotypical characteristics. When John visits Eton, he watches a group of children laughing at “savages” on a Reservation performing ceremonial self-flagellation purification rituals. He sees himself reflected in their laughter as a curious, comedic spectacle, not as a human being. Bernard uses John as a curious specimen of “savagery” to attract important people into his own social circle. Helmholtz’s laughter at
John’s attempt to stir the Delta workers into rebellion by throwing away their soma symbolizes his struggle against happiness as the ultimate goal. John would rather see the truth and real human relationships—even painful ones—than the near-slavery of soma. His own mother’s death by soma is also a contributing factor. Linda and the Deltas use soma to escape all pain and responsibility. This makes them become infantile, something that John points out when he asks the Deltas why they want to be “babies . . . mewling and puking.” John’s outcry describes the essential logic that produces the “stability” that the World State loves so much. The vast majority of World State citizens remain childlike their whole lives through the use of conditioning, social reinforcement, and soma.
Helmholtz throws himself into the fray when he and Bernard arrive at the hospital, but Bernard hesitates. His hesitation is caused by the conflict between his desire to fit into the World State social machine and his desire to change the way it works. He fears associating himself with the nonconforming blasphemy of John’s revolutionary cry and Helmholtz’s support of John’s actions. Bernard knows that his participation will forever mark him as a dangerous subversive.