full title · The Grapes of Wrath
author · John Steinbeck
type of work · Novel
genre · Epic; realistic fiction; social commentary
language · English
time and place written · Late May–late October 1938, Los Gatos, CA
date of first publication · April 14, 1939
publisher · The Viking Press
narrator · An anonymous, all-knowing, historically aware consciousness that is deeply sympathetic, not only to the migrants but to workers, the poor, and the dispossessed generally
point of view · The narrative shifts dramatically between different points of view. In some chapters, the narrator describes events broadly, summarizing the experiences of a large number of people and providing historical analysis. Frequently, in the same chapters, the narrator assumes the voice of a typical individual, such as a displaced farmer or a crooked used-car salesman, expressing that person’s individual concerns. When the narrator assumes the voice of an anonymous individual, the words sometimes sound like what an actual person might say, but sometimes they form a highly poetic representation of the anonymous indiv-idual’s thoughts and soul. The chapters focusing on the Joad family are narrated primarily from an objective point of view, representing conversations and interactions without focusing on any particular character. Here, the characters’ actions are presented as an observer might witness them, without directly representing the characters’ thoughts and motivations. At certain points, however, the narrator shifts and presents the Joads from an omniscient point of view, explaining their psychologies, characters, and motivations in intimate detail.
tone · Mournful, awed, enraged, sympathetic
tense · Mainly past
setting (time) · Late 1930s
setting (place) · Oklahoma, California, and points along the way
protagonist · Tom Joad
major conflict · The disastrous drought of the 1930s forces farmers to migrate westward to California, pitting migrants against locals and property owners against the destitute. Moreover, Tom Joad’s story dramatizes a conflict between the impulse to respond to hardship and disaster by focusing on one’s own needs and the impulse to risk one’s safety by working for a common good.
rising action · Tom is released from prison, determined to mind his own business; Tom encounters the devastation of the Dust Bowl; Casy presents Tom with his philosophy of the holiness of human beings in general; Tom is drawn into the workers’ movement.
climax · A policeman murders Casy, and Tom kills the policeman, making himself an outlaw and committing himself totally to the cause of workers’ rights rather than the fortunes of his own family.
falling action · Tom’s explanation to Ma of the wisdom he learned from Casy; Tom’s departure from the rest of the Joad family; Rose of Sharon’s nursing of the starving man, which symbolizes the community in suffering formed by the destitute migrants
themes · Man’s inhumanity to man; the saving power of family and fellowship; the dignity of wrath; the multiplying effects of altruism and selfishness
motifs · Improvised leadership structures
symbols · Rose of Sharon’s pregnancy; the death of the Joads’ dog
foreshadowing · Many tragedies or reported tragedies in the book serve to foreshadow future sorrows. Thus, the death of the grandparents and the reports of men returning in despair from California are sources of sadness in themselves, but they also seem to bode ill for the future. Moreover, the descriptive chapters that are interspersed with the book’s Joad-focused chapters often serve to foreshadow tragedy: at many points, they portray hardships facing the migrants at large, which the Joads then encounter in the following chapter