Gulliver’s Travels

by: Jonathan Swift

Part I, Chapters II–III

Summary Part I, Chapters II–III

Summary: Chapter III

Gulliver hopes to be set free, as he is getting along well with the Lilliputians and earning their trust. The emperor decides to entertain him with shows, including a performance by Rope-Dancers, who are Lilliputians seeking employment in the government. For the performance, which doubles as a sort of competitive entrance examination, the candidates dance on “ropes”—slender threads suspended two feet above the ground. When a vacancy occurs, candidates petition the emperor to entertain him with a dance, and whoever jumps the highest earns the office. The current ministers continue this practice as well, in order to show that they have not lost their skill.

As another diversion for Gulliver, the emperor lays three silken threads of different colors on a table. He then holds out a stick, and candidates are asked to leap over it or creep under it. Whoever shows the most dexterity wins one of the ribbons.

Gulliver builds a platform from sticks and his handkerchief and invites horsemen to exercise upon it. The emperor greatly enjoys watching this new entertainment, but it is cut short when a horse steps through the handkerchief, after which Gulliver decides that it is too dangerous for them to keep riding on the cloth.

Some Lilliputians discover Gulliver’s hat, which washed ashore after him, and he asks them to bring it back. Soon after, the emperor asks Gulliver to pose like a colossus, or giant statue, so that his troops might march under Gulliver.

Gulliver’s petitions for freedom are finally answered. Gulliver must swear to obey the articles put forth, which include stipulations that he must assist the Lilliputians in times of war, survey the land around them, help with construction, and deliver urgent messages. Gulliver agrees and his chains are removed.

Analysis: Part I, Chapters II–III

In these chapters, Gulliver learns more about Lilliputian culture, and the great difference in size between him and the Lilliputians is emphasized by a number of examples, many of which are explicit satires of British government. For instance, Lilliputian government officials are chosen by their skill at rope-dancing, which the Lilliputians see as relevant but which Gulliver recognizes as arbitrary and ridiculous. The would-be officials are almost literally forced to jump through hoops in order to qualify for their positions. Clearly, Swift intends for us to understand this episode as a satire of England’s system of political appointments and to infer that England’s system is similarly arbitrary. Gulliver, however, never suggests that he finds the Lilliputians ridiculous. Throughout the entire novel, Gulliver tends to be very sympathetic in his descriptions of the cultures he visits, never criticizing them or finding anything funny, no matter how ludicrous certain customs seem to us. Nor does Gulliver point out the similarities between the ridiculous practices he observes in his travels and the ridiculous customs of Europe. Instead, Swift leaves us to infer all of the satire based on the difference between how things appear to us and how they appear to Gulliver.