In Lilliput, Gulliver is greeted as a hero. The emperor asks him to go back to retrieve the other ships, intending to destroy Blefuscu’s military strength and make it a province in his empire. Gulliver dissuades him from this action, saying that he does not want to encourage slavery or injustice. This position causes great disagreement in the government, with some officials turning staunchly against Gulliver and calling for his destruction.

Three weeks later, a delegation arrives from Blefuscu, and the war ends with Blefuscu’s surrender. The Blefuscu delegates are privately told of Gulliver’s kindness toward the Lilliputians, and they ask him to visit their kingdom. He wishes to do so, and the emperor reluctantly allows it.

As a Nardac, or person of high rank, Gulliver no longer has to perform all the duties laid down in his contract. He does, however, have the opportunity to help the Lilliputians when the emperor’s wife’s room catches fire. He forgets his coat and cannot put the flames out with his clothing, so instead he thinks of a new plan: he urinates on the palace, putting out the fire entirely. He worries afterward that since the act of public urination is a crime in Lilliput he will be prosecuted, but the emperor tells him he will be pardoned. He is told, however, that the emperor’s wife can no longer tolerate living in her rescued quarters.

Analysis: Part I, Chapters IV–V

Despite the fact that the history of the conflict between Lilliput and Blefuscu is blatantly ridiculous, Gulliver reports it with complete seriousness. The more serious the tone, the more laughable this conflict appears. But Swift expects us to understand immediately that the entire history Gulliver relates parallels European history exactly, down to the smallest details. The High-Heels and the Low-Heels correspond to the Whigs and Tories of English politics. Lilliput and Blefuscu represent England and France. The violent conflict between Big-Endians and Little-Endians represents the Protestant Reformation and the centuries of warfare between Catholics and Protestants.

By recasting European history as a series of brutal wars over meaningless and arbitrary disagreements, Swift implies that the differences between Protestants and Catholics, between Whigs and Tories, and between France and England are as silly and meaningless as how a person chooses to crack an egg. Once we make this connection, though, we face the question of why Swift thinks that these conflicts are trivial and irrelevant. After all, religion, politics, and national identity would have been considered the most important issues in Swift’s time, and we continue to think of these things as important today. The answer to this question is less obvious, and the text does not give us a simple explanation. The debate between the Big-Endians and Little-Endians does provide some clues, however. The egg controversy is ridiculous because there cannot be any right or wrong way to crack an egg, so it is unreasonable to legislate how people must do it. Similarly, we may conclude that there is no right or wrong way to worship God—at least, there is no way to prove that one way is right and another way is wrong. Moreover, the Big-Endians and Little-Endians both share the same religious text, but they disagree on how to interpret a passage that can clearly be interpreted two ways. Similarly, Swift is suggesting that the Christian Bible can be interpreted in more than one way, and that it is ridiculous for people to fight over how to interpret it when no one can really be certain that one interpretation is right and others are wrong.

The text contains a number of allusions to events in Swift’s life and to the politics of Europe. For instance, it has been suggested that the empress represents Queen Anne of England, Gulliver’s urination on her quarters represents Swift’s work A Tale of a Tub, and the empress’s disgust at Gulliver’s urination is analogous to Queen Anne’s criticism of Swift’s work and her attempts to limit his prospects in the Church of England. Within the story, Gulliver’s urination on the palace is not merely an offense to the Lilliputians’ sense of decency, it is also a suggestion of their insignificance, to which they respond indignantly. Although Gulliver’s urination is intended to prevent a disaster, it is also an assertion of his ability to control the Lilliputians—even by the most profane of actions. The episode illustrates again the importance of physical power, which can turn a normally insignificant and vulgar action into a lifesaving act.