The grandson of slaves,
Ralph Ellison was born in 1914 in Oklahoma
City, Oklahoma, and was raised largely in Tulsa, Oklahoma. His father
was a construction worker, and his mother was a domestic servant
who also volunteered for the local Socialist Party. As a young man,
Ellison developed an abiding interest in jazz music; he befriended
a group of musicians who played in a regional band called Walter
Page’s Blue Devils, many of whom later played with Count Basie’s
legendary big band in the late 1930s. Ellison
himself studied the cornet and trumpet, and planned a career as
a jazz musician. In 1933, he left Oklahoma
to begin a study of music at the Tuskegee Institute in Tuskegee,
Alabama. The Institute, which is now called Tuskegee University,
was founded in 1881 by Booker T. Washington,
one of the foremost black educators in American history, and became
one of the nation’s most important black colleges. It later served
as the model for the black college attended by the narrator in Invisible
Man.
Ellison left the Tuskegee Institute in 1936 and
moved to New York City, where he settled in Harlem. As an employee
of the Federal Writers’ Project, Ellison befriended many of the
most important African-American writers of the era, including Langston
Hughes and Richard Wright. Ellison also befriended the eminent jazz
writer and sociologist Albert Murray, with whom he carried on a
lengthy and important literary correspondence, later collected in
the book Trading Twelves. After a year editing the Negro Quarterly,
Ellison left for the Merchant Marines, in which he served during
World War II. After the war, Ellison won a Rosenwald Fellowship,
which he used to write Invisible Man. The first chapter appeared
in America in the 1948 volume of Magazine
of the Year, and the novel was published in its entirety in 1952.
Employing a shifting, improvisational style directly based
on Ellison’s experience of jazz performance, Invisible Man ranges
in tone from realism to extreme surrealism, from tragedy to vicious satire
to near-slapstick comedy. Rich in symbolism and metaphor, virtuosic
in its use of multiple styles and tones, and steeped in the black
experience in America and the human struggle for individuality,
the novel spent sixteen weeks on the best-seller list and won the National
Book Award in 1953. Achieving one of the
most sensational debuts of any novel in American history, Invisible
Man was hailed by writers such as Saul Bellow and critics such as
Irving Howe as a landmark publication; some critics claimed that
it was the most important American novel to appear after World War
II.
Invisible Man was heavily influenced by the work of a
number of twentieth-century French writers known as the existentialists.
Existentialism, whose foremost proponents included Albert Camus
and Jean-Paul Sartre, explored the question of individuality and
the nature of meaning in a seemingly meaningless universe. Ellison adapted
the existentialists’ universal themes to the black experience of
oppression and prejudice in America. He also engaged powerfully
with the tradition of African-American social debate. In the character
of Dr. Bledsoe, the novel offers a vehement rejection of the philosophy
of Booker T. Washington, which advocated that blacks should work
toward economic success as a means of achieving racial equality.
It also critiques, through the character of Ras the Exhorter, Marcus
Garvey’s philosophy of black nationalism.
Despite—or possibly because of—the overwhelming success
of Invisible Man, Ellison never published another novel in his lifetime. Though
he published two books of essays—Shadow Act in the 1960s
and Going to the Territory in the 1980s—Ellison
spent his later decades laboring on a vast novel, which he never
finished. Upon his death in 1994, Ellison
left behind more than 2,000 pages of unedited,
incomplete manuscript. In heavily abridged and edited form, this
manuscript was published five years after his death under the title Juneteenth, to generally unfavorable reviews.
