The Old Man and the Sea

by: Ernest Hemingway

Day Four

Summary Day Four

Still hopeful that the whole ordeal had been a dream, Santiago cannot bear to look at the mutilated marlin. Another shovel-nosed shark arrives. The old man kills it, but he loses his knife in the process. Just before nightfall, two more sharks approach. The old man’s arsenal has been reduced to the club he uses to kill bait fish. He manages to club the sharks into retreat, but not before they repeatedly maul the marlin. Stiff, sore, and weary, he hopes he does not have to fight anymore. He even dares to imagine making it home with the half-fish that remains. Again, he apologizes to the marlin carcass and attempts to console it by reminding the fish how many sharks he has killed. He wonders how many sharks the marlin killed when it was alive, and he pledges to fight the sharks until he dies. Although he hopes to be lucky, Santiago believes that he “violated [his] luck” when he sailed too far out.

Around midnight, a pack of sharks arrives. Near-blind in the darkness, Santiago strikes out at the sounds of jaws and fins. Something snatches his club. He breaks off the boat’s tiller and makes a futile attempt to use it as a weapon. When the last shark tries to tear at the tough head of the marlin, the old man clubs the shark until the tiller splinters. He plunges the sharp edge into the shark’s flesh and the beast lets go. No meat is left on the marlin.

The old man spits blood into the water, which frightens him for a moment. He settles in to steer the boat, numb and past all feeling. He asks himself what it was that defeated him and concludes, “Nothing . . . I went out too far.” When he reaches the harbor, all lights are out and no one is near. He notices the skeleton of the fish still tied to the skiff. He takes down the mast and begins to shoulder it up the hill to his shack. It is terrifically heavy, and he is forced to sit down five times before he reaches his home. Once there, the old man sleeps.

Analysis

You loved him when he was alive and you loved him after. If you love him, it is not a sin to kill him. Or is it more?

(See Important Quotations Explained)

The fantastical final stage of the old man’s fight with the fish brings two thematic issues to the forefront. The first concerns man’s place in nature, the second concerns nature itself. It is possible to interpret Santiago’s journey as a cautionary tale of sorts, a tragic lesson about what happens when man’s pride forces him beyond the boundaries of his rightful, human place in the world. This interpretation is undermined, however, by the fact that Santiago finds the place where he is most completely, honestly, and fully himself only by sailing out farther than he ever has before. Indeed, Santiago has not left his true place; he has found it, which suggests that man’s greatest potential can be found in his return to the natural world from which modern advancements have driven him.

At one point, Santiago embraces his unity with the marlin, thinking, “You are killing me, fish . . . But you have a right to . . . brother. Come on and kill me. I do not care who kills who.” This realization speaks to the novella’s theory of the natural world. As Santiago’s exhausting and near-endless battle with the marlin shows, his is a world in which life and death go hand in loving hand. Everything in the world must die, and according to Santiago, only a brotherhood between men—or creatures—can alleviate the grimness of that fact. The death of the marlin serves as a beautiful case in point, for as the fish dies it is not only transformed into something larger than itself, it is also charged with life: “Then the fish came alive, with his death in him.” In Hemingway’s conception of the natural world, beauty is deadly, age is strength, and death is the greatest instance of vitality.

The transformation that the fish undergoes upon its death anticipates the transformation that awaits Santiago in the novella’s final pages. The old man’s battle with the fish is marked by supreme pain and suffering, but he lives in a world in which extreme pain can be a source of triumph rather than defeat. The key to Santiago’s triumph, as the end of the novel makes clear, is an almost martyrlike endurance, a quality that the old man knows and values. Santiago repeatedly reminds himself that physical pain does not matter to a man, and he urges himself to keep his head clear and to know how to suffer like a man.