Scene Study prepares you to perform key scenes for your theater class or audition. We've got all the information you need for a great performance.

Excerpt from Act 1, Scene 7 Monologue: Macbeth and Lady Macbeth


MACBETH

If we should fail? 

LADY MACBETH 

We fail! 
But screw your courage to the sticking-place, 
And we'll not fail....

Read the full dialogue.

 

Understanding the Given Circumstances

  • Macbeth and his wife, Lady Macbeth, are hosting a large dinner party for the King.  
  • Macbeth and Lady Macbeth have made a plan to assassinate King Duncan so that Macbeth can assume his throne.   
  • Macbeth has begun to have second thoughts about the plans he and his wife have made to kill the king. He has left the dinner party so that he can be alone with his thoughts.
  • Lady Macbeth has noticed his absence and comes to bring him back to the party, worried that his absence will seem suspicious.   
  • Macbeth tells his wife that he’s decided they should not kill Duncan, and Lady Macbeth attempts to persuade him to recommit to the plan.   

 

Blocking and Movement

In theater, blocking is the process of planning the actors’ physical movements and positions. Show respect and establish trust when working with scene partners. As you prepare to block this dialogue, ask yourself the following questions:

  • What room are Macbeth and Lady Macbeth in? Is there any furniture in this room, and if so, where is it? 
  • Is there a way to place the furniture which makes it easier for the actors to move in a way that neither’s back is to the audience? 
  • At which points during the scene is Macbeth in control? At which points is Lady Macbeth in control? 
  • How might the characters use their movements to express confidence and resolution? How might they use movement to express indecision or lack of resolve? Could they be using movement to express a confidence which they do not actually feel? 
  • When are these characters very close to each other, and when are they far apart? What is the reason for these distances to change, and how does the distance reflect how they feel about each other? 

 

Historical Context and Macbeth

William Shakespeare wrote Macbeth at the beginning of the 17th century, during a time of great political instability in England. After the death of Queen Elizabeth I in 1603, James I of Scotland became the new King of England.  Just two years after James I’s succession there was an unsuccessful attempt to assassinate him by blowing up barrels of gunpowder hidden under Parliament. The discovery of this plot, which became known as The Gunpowder Plot, was a terrifying and sensational political development in England at the time. 

Macbeth was first performed shortly after this event and, fittingly, tells the story of a Scottish king who is assassinated by a political rival. Although Macbeth tells the story of an 11th century Scottish king, it would be clear to Shakespeare’s audiences of the time that Macbeth alludes to the Gunpowder Plot and the recent assassination attempt on James I. The play explores the grave consequences that would arise if a king were assassinated and an entire nation thrown into political disarray. 

 

Full Dialogue from Act 1, Scene 7: Macbeth and Lady Macbeth

 

MACBETH

If it were done when 'tis done, then 'twere well 
It were done quickly: if the assassination 
Could trammel up the consequence, and catch 
With his surcease success; that but this blow 
Might be the be-all and the end-all here, 
But here, upon this bank and shoal of time, 
We'ld jump the life to come. But in these cases 
We still have judgment here; that we but teach 
Bloody instructions, which, being taught, return 
To plague the inventor: this even-handed justice 
Commends the ingredients of our poison'd chalice 
To our own lips. He's here in double trust; 
First, as I am his kinsman and his subject, 
Strong both against the deed; then, as his host, 
Who should against his murderer shut the door, 
Not bear the knife myself. Besides, this Duncan 
Hath borne his faculties so meek, hath been 
So clear in his great office, that his virtues 
Will plead like angels, trumpet-tongued, against 
The deep damnation of his taking-off; 
And pity, like a naked new-born babe, 
Striding the blast, or heaven's cherubim, horsed 
Upon the sightless couriers of the air, 
Shall blow the horrid deed in every eye, 
That tears shall drown the wind. I have no spur 
To prick the sides of my intent, but only 
Vaulting ambition, which o'erleaps itself 
And falls on the other. 

Enter LADY MACBETH. 

MACBETH 

How now! what news? 

LADY MACBETH 

He has almost supp'd: why have you left the chamber? 

MACBETH 

Hath he ask'd for me? 

LADY MACBETH 

Know you not he has? 

MACBETH 

We will proceed no further in this business: 
He hath honour'd me of late; and I have bought 
Golden opinions from all sorts of people, 
Which would be worn now in their newest gloss, 
Not cast aside so soon. 

LADY MACBETH 

Was the hope drunk 
Wherein you dress'd yourself? hath it slept since? 
And wakes it now, to look so green and pale 
At what it did so freely? From this time 
Such I account thy love. Art thou afeard 
To be the same in thine own act and valour 
As thou art in desire? Wouldst thou have that 
Which thou esteem'st the ornament of life, 
And live a coward in thine own esteem, 
Letting 'I dare not' wait upon 'I would,' 
Like the poor cat i' the adage? 

MACBETH 

Prithee, peace: 
I dare do all that may become a man; 
Who dares do more is none. 

LADY MACBETH 

What beast was't, then, 
That made you break this enterprise to me? 
When you durst do it, then you were a man; 
And, to be more than what you were, you would 
Be so much more the man. Nor time nor place 
Did then adhere, and yet you would make both: 
They have made themselves, and that their fitness now 
Does unmake you. I have given suck, and know 
How tender 'tis to love the babe that milks me: 
I would, while it was smiling in my face, 
Have pluck'd my nipple from his boneless gums, 
And dash'd the brains out, had I so sworn as you 
Have done to this. 

MACBETH 

If we should fail? 

LADY MACBETH 

We fail! 
But screw your courage to the sticking-place, 
And we'll not fail. When Duncan is asleep-- 
Whereto the rather shall his day's hard journey 
Soundly invite him--his two chamberlains 
Will I with wine and wassail so convince 
That memory, the warder of the brain, 
Shall be a fume, and the receipt of reason 
A limbeck only: when in swinish sleep 
Their drenched natures lie as in a death, 
What cannot you and I perform upon 
The unguarded Duncan? what not put upon 
His spongy officers, who shall bear the guilt 
Of our great quell? 

MACBETH 

Bring forth men-children only; 
For thy undaunted mettle should compose 
Nothing but males. Will it not be received, 
When we have mark'd with blood those sleepy two 
Of his own chamber and used their very daggers, 
That they have done't? 

LADY MACBETH 

Who dares receive it other, 
As we shall make our griefs and clamour roar 
Upon his death? 

MACBETH 

I am settled, and bend up 
Each corporal agent to this terrible feat. 
Away, and mock the time with fairest show: 
False face must hide what the false heart doth know. 

Exeunt. 

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