Themes are the fundamental and often universal ideas explored in a literary work.

The Dangers of Totalitarianism

1984 is a political novel written with the purpose of warning readers in the West of the dangers of totalitarian government. Having witnessed firsthand the horrific lengths to which totalitarian governments in Spain and Russia would go in order to sustain and increase their power, Orwell designed 1984 to sound the alarm in Western nations still unsure about how to approach the rise of communism. In 1949, the Cold War had not yet escalated, many American intellectuals supported communism, and the state of diplomacy between democratic and communist nations was highly ambiguous. In the American press, the Soviet Union was often portrayed as a great moral experiment. Orwell, however, was deeply disturbed by the widespread cruelties and oppressions he observed in communist countries, and seems to have been particularly concerned by the role of technology in enabling oppressive governments to monitor and control their citizens.

In 1984, Orwell portrays the perfect totalitarian society, the most extreme realization imaginable of a modern-day government with absolute power. The title of the novel was meant to indicate to its readers in 1949 that the story represented a real possibility for the near future: if totalitarianism were not opposed, the title suggested, some variation of the world described in the novel could become a reality in only thirty-five years. Orwell portrays a state in which government monitors and controls every aspect of human life to the extent that even having a disloyal thought is against the law. As the novel progresses, the timidly rebellious Winston Smith sets out to challenge the limits of the Party’s power, only to discover that its ability to control and enslave its subjects dwarfs even his most paranoid conceptions of its reach. As the reader comes to understand through Winston’s eyes, The Party uses a number of techniques to control its citizens, each of which is an important theme of its own in the novel. These include:

Psychological Manipulation

The Party barrages its subjects with psychological stimuli designed to overwhelm the mind’s capacity for independent thought. The giant telescreen in every citizen’s room blasts a constant stream of propaganda designed to make the failures and shortcomings of the Party appear to be triumphant successes. The telescreens also monitor behavior—everywhere they go, citizens are continuously reminded, especially by means of the omnipresent signs reading “BIG BROTHER IS WATCHING YOU,” that the authorities are scrutinizing them. The Party undermines family structure by inducting children into an organization called the Junior Spies, which brainwashes and encourages them to spy on their parents and report any instance of disloyalty to the Party. The Party also forces individuals to suppress their sexual desires, treating sex as merely a procreative duty whose end is the creation of new Party members. The Party then channels people’s pent-up frustration and emotion into intense, ferocious displays of hatred against the Party’s political enemies. Many of these enemies have been invented by the Party expressly for this purpose.

Physical Control

In addition to manipulating their minds, the Party also controls the bodies of its subjects. The Party constantly watches for any sign of disloyalty, to the point that, as Winston observes, even a tiny facial twitch could lead to an arrest. A person’s own nervous system becomes his greatest enemy. The Party forces its members to undergo mass morning exercises called the Physical Jerks, and then to work long, grueling days at government agencies, keeping people in a general state of exhaustion. Anyone who does manage to defy the Party is punished and “reeducated” through systematic and brutal torture. After being subjected to weeks of this intense treatment, Winston himself comes to the conclusion that nothing is more powerful than physical pain—no emotional loyalty or moral conviction can overcome it. By conditioning the minds of their victims with physical torture, the Party is able to control reality, convincing its subjects that 2 + 2 = 5.

Read more about the control of bodies in dystopian literature in Margaret Atwood’s The Handmaid’s Tale.

Control of Information and History

The Party controls every source of information, managing and rewriting the content of all newspapers and histories for its own ends. The Party does not allow individuals to keep records of their past, such as photographs or documents. As a result, memories become fuzzy and unreliable, and citizens become perfectly willing to believe whatever the Party tells them. By controlling the present, the Party is able to manipulate the past. And in controlling the past, the Party can justify all of its actions in the present.

Read more about the theme of controlling history in Lois Lowry’s novel, The Giver.


By means of telescreens and hidden microphones across the city, the Party is able to monitor its members almost all of the time. Additionally, the Party employs complicated mechanisms (1984 was written in the era before computers) to exert large-scale control on economic production and sources of information, and fearsome machinery to inflict torture upon those it deems enemies. 1984 reveals that technology, which is generally perceived as working toward moral good, can also facilitate the most diabolical evil.

Language as Mind Control

One of Orwell’s most important messages in 1984 is that language is of central importance to human thought because it structures and limits the ideas that individuals are capable of formulating and expressing. If control of language were centralized in a political agency, Orwell proposes, such an agency could possibly alter the very structure of language to make it impossible to even conceive of disobedient or rebellious thoughts, because there would be no words with which to think them. This idea manifests itself in the language of Newspeak, which the Party has introduced to replace English. The Party is constantly refining and perfecting Newspeak, with the ultimate goal that no one will be capable of conceptualizing anything that might question the Party’s absolute power.

Interestingly, many of Orwell’s ideas about language as a controlling force have been modified by writers and critics seeking to deal with the legacy of colonialism. During colonial times, foreign powers took political and military control of distant regions and, as a part of their occupation, instituted their own language as the language of government and business. Postcolonial writers often analyze or redress the damage done to local populations by the loss of language and the attendant loss of culture and historical connection.


In 1984, the Party seeks to ensure that the only kind of loyalty possible is loyalty to the Party. The reader sees examples of virtually every kind of loyalty, from the most fundamental to the most trivial, being destroyed by the Party. Neighbors and coworkers inform on one another, and Mr. Parson’s own child reports him to the Thought Police. Winston’s half-remembered marriage to his wife fell apart with no sense of loyalty. Even the relationship between customer and merchant is perverted as Winston learns that the man who has sold him the very tools of his resistance and independence was a member of the Thought Police. Winston’s relationship with Julia is the ultimate loyalty that is tested by the events of the book. In Book Two: Chapter VII, Winston tells Julia, “if they could make me stop loving you—that would be the real betrayal.” In the end, the Party does make Winston stop loving Julia and love Big Brother instead, the only form of loyalty allowed.

Resistance and Revolution

In 1984, Winston explores increasingly risky and significant acts of resistance against the Party. In Book One: Chapter VII, Winston observes that “rebellion meant a look in the eyes, an inflection of the voice; at the most, an occasional whispered word.” Winston builds up these minor rebellions by committing personal acts of disobedience such as keeping a journal and buying a decorative paperweight. Eventually he escalates his rebellion through his sexual relationship with Julia. The relationship is a double rebellion, as it includes the thoughtcrime of desire. Winston doesn’t believe his actions or the actions of others will lead to the destruction of the Party within his lifetime, but before he is caught by the Thought Police he holds out hope that in the future someone will be able to look back at Winston’s time from a world that is free.

Read more about the theme of revolution in Charles Dickens' novel, A Tale of Two Cities.

Winston’s most concrete hope for actual revolution against the Party lies with the social underclass of the city, called the proles. He observes that the proles already have far greater numbers than the Party and that the proles have the strength to carry out a revolution if they could ever organize themselves. The problem is that the proles have been subject to such serious poverty for so long that they are unable to see past the goal of survival. The very notion of trying to build a better world is too much for them to contemplate. All of these observations are set against the backdrop of the Party’s own identity as the product of revolution. According to Winston, the Party was created during the mid-1960s during a revolution that overthrew the existing British social order. The Party claims that the Revolution has not yet ended and that it will be fulfilled once they have complete control.

Independence and Identity

While the Party’s primary tool for manipulating the populace is the control of history, they also control independence and identity. For example, the basic traits of establishing one’s identity are unavailable to Winston and the other citizens of Oceania. Winston does not know how old he is. He does not know whether he is married or not. He does not know whether his mother is alive or dead. None of his childhood memories are reliable, because he has no photos or documents to help him sort real memories from imagined ones. Instead of being unique individuals with specific, identifying details, every member of the Outer Party is identical. All Party members wear the same clothing, smoke the same brand of cigarettes, drink the same brand of gin, and so forth. As such, forming a sense of individual identity is not only psychologically challenging, but logistically difficult.

Most of Winston’s significant decisions can be interpreted as attempts to build a sense of identity. His decision to purchase a diary and begin recording his thoughts is an attempt to create memory and history. His decision to purchase the paperweight is driven by a desire to have something of his own that represents a time before the Party. Winston’s sexual relationship with Julia and their decision to rent an apartment where they can spend time together represent dangerous crimes in the world of 1984. In deciding to pursue a relationship with Julia, Winston asserts his independence and further establishes his identity as an individual who resists the Party’s control. Ultimately, though, Winston’s attempts to maintain his independence and create a unique identity are no match for the Party. Winston’s experiences in the Ministry of Love represent the complete disassembly and destruction of all aspects of his individuality. When he is returned to society he has lost all independence and uniqueness, and has become part of the Party’s faceless collective.