1. If
growing up is painful for the Southern Black
girl,
being aware of her displacement is the rust on
the
razor that threatens the throat. It is an
unnecessary
insult.
This vivid assertion ends the opening
section of I Know Why the Caged Bird Sings. Although
this section, which acts as a prologue, mostly emphasizes the point
of view of Maya at five or six years old, this statement clearly
comes from Angelou’s adult voice. Looking back on her childhood
experiences, Maya notes that she not only fell victim to a hostile,
racist, and sexist society, but to other social forces as well,
including the displacement she felt from her family and her peers.
Maya feels displaced primarily because when she was three years
old, her parents sent her away to live with her grandmother. This
early separation, as well as subsequent ones, leaves her feeling
rootless for most of her childhood. Angelou’s autobiography likens
the experience of growing up as a black girl in the segregated American
South to having a razor at one’s throat. Her constant awareness
of her own displacement—the fact that she differed from other children
in appearance and that she did not have a sense of belonging associated
with anyone or anyplace—becomes the “unnecessary insult” that she
must deal with at such a young age. Over the course of the work,
Maya details numerous negative effects of such displacement, including
her susceptibility to Mr. Freeman’s sexual molestation.
