full title · Emma
author · Jane Austen
type of work · Novel
genre · Comedy of manners
language · English
time and place written · 1814–1815, Chawton, England
date of first publication · 1816
publisher · John Murray
narrator · The narrator is anonymous and narrates some time after
the events of the novel take place. The novel is narrated using
free indirect discourse, which means that the narrator steps into
and out of Emma’s thoughts, sometimes using language we would imagine
Emma to use without placing it in quotation marks.
point of view · The novel is narrated in the third person by a narrator
who tells us what individual characters think and feel, and who
also provides insight and commentary. For the most part, the narrator
relates events from Emma’s perspective, but at times she enters
into the thoughts of other characters. Chapter 41,
for example, is narrated from Mr. Knightley’s perspective.
tone · Ironic, satirical, sympathetic
tense · Immediate past
setting (time) · Early nineteenth century
setting (place) · Highbury, England
protagonist · Emma Woodhouse
major conflict · Emma struggles to shed her vanity and her fear of confronting her
own feelings, both of which cause her to misunderstand those around
her and to meddle harmfully in the lives of others.
rising action · Emma realizes that she was horribly wrong to think
she could make a match between Mr. Elton and Harriet, because not
only are the two ill-suited to one another, but Mr. Elton has had feelings
for her all along that she intentionally or unintentionally failed
to acknowledge. She decides to be in love with Frank and flirts
aggressively with him, though she recognizes that her feelings are
not, in fact, very strong. When she cruelly insults Miss Bates at
the Box Hill party, Mr. Knightley reprimands her, and Emma feels
extreme remorse about the cruelty of her actions.
climax · Emma realizes that she is in love with Mr. Knightley
after Harriet discloses the same to Emma.
falling action · Emma and Mr. Knightley confess their feelings for one
another. Knightley proposes to Emma; the happiness of Harriet, Frank, and
Jane, which Emma’s intrusion had endangered, is secured as Harriet
accepts Mr. Martin’s proposal and Jane and Frank prepare to marry.
themes · Marriage and social status, the confined nature of
women’s existence, the blinding power of imagination, the obstacles
to open expression
motifs · Visits, parties, conversational subtexts
symbols · The riddle, the word game, tokens of affection
foreshadowing · Almost every chapter includes foreshadowing. For example,
in Chapter 27, we are told that Emma “felt
as if the spring would not pass without bringing a crisis, an event,
a something to alter her present composed and tranquil state.”
