The most influential writer in
all of English literature, William Shakespeare was born in 1564 to
a successful middle-class glove-maker in Stratford-upon-Avon, England.
Shakespeare attended grammar school, but his formal education proceeded
no further. In 1582 he
married an older woman, Anne Hathaway, and had three children with her.
Around 1590 he left
his family behind and traveled to London to work as an actor and
playwright. Public and critical success quickly followed, and Shakespeare
eventually became the most popular playwright in England and part-owner
of the Globe Theater. His career bridged the reigns of Elizabeth
I (ruled 1558–1603) and
James I (ruled 1603–1625),
and he was a favorite of both monarchs. Indeed, James granted Shakespeare’s
company the greatest possible compliment by bestowing upon
its members the title of King’s Men. Wealthy and renowned, Shakespeare
retired to Stratford and died in 1616 at
the age of fifty-two. At the time of Shakespeare’s death, literary
luminaries such as Ben Jonson hailed his works as timeless.
Shakespeare’s works were collected and printed in various
editions in the century following his death, and by the early eighteenth century
his reputation as the greatest poet ever to write in English was
well established. The unprecedented admiration garnered by his works
led to a fierce curiosity about Shakespeare’s life, but the dearth
of biographical information has left many details of Shakespeare’s
personal history shrouded in mystery. Some people have concluded
from this fact that Shakespeare’s plays were really written by someone
else—Francis Bacon and the Earl of Oxford are the two most popular
candidates—but the support for this claim is overwhelmingly circumstantial,
and the theory is not taken seriously by many scholars.
In the absence of credible evidence to the contrary, Shakespeare must
be viewed as the author of the thirty-seven plays and 154 sonnets
that bear his name. The legacy of this body of work is immense. A
number of Shakespeare’s plays seem to have transcended even the category
of brilliance, becoming so influential as to profoundly affect the
course of Western literature and culture ever after.
Written in the mid-1590s,
probably shortly before Shakespeare turned to Romeo and
Juliet, A Midsummer Night’s Dream is one
of his strangest and most delightful creations, and it marks a departure from
his earlier works and from others of the English Renaissance. The
play demonstrates both the extent of Shakespeare’s learning and
the expansiveness of his imagination. The range of references in the
play is among its most extraordinary attributes: Shakespeare draws
on sources as various as Greek mythology (Theseus, for instance,
is loosely based on the Greek hero of the same name, and the play
is peppered with references to Greek gods and goddesses); English
country fairy lore (the character of Puck, or Robin Goodfellow,
was a popular figure in sixteenth-century stories); and the theatrical
practices of Shakespeare’s London (the craftsmen’s play refers to
and parodies many conventions of English Renaissance theater, such
as men playing the roles of women). Further, many of the characters
are drawn from diverse texts: Titania comes from Ovid’s Metamorphoses, and
Oberon may have been taken from the medieval romance Huan
of Bordeaux, translated by Lord Berners in the mid-1530s.
Unlike the plots of many of Shakespeare’s plays, however, the story
in A Midsummer Night’s Dream seems not to have
been drawn from any particular source but rather to be the original
product of the playwright’s imagination.
