Summary: Act I, scene i
The course of true love never did run smooth. . . .
See Important Quotations Explained
At his palace, Theseus, duke of Athens, and Hippolyta, his fiancée, discuss their wedding, to be held in four days, under the new moon. Impatient for the event and in a celebratory mood, Theseus orders Philostrate, his Master of the Revels, to “stir up the Athenian youth to merriments” and devise entertainments with which the couple might pass the time until their wedding (I.i.12). Philostrate takes his leave, and Theseus promises Hippolyta that though he wooed her with his sword (Hippolyta, queen of the Amazons, presumably met Theseus in combat), he will wed her “with pomp, with triumph, and with revelling”—with a grand celebration to begin at once and last until the wedding (I.i.19).
Egeus, a citizen of Athens, strides into the room, followed by his daughter Hermia and the Athenian youths Lysander and Demetrius. Egeus has come to see Theseus with a complaint against his daughter: although Egeus has promised her in marriage to Demetrius, who loves her, Lysander has won Hermia’s heart, and Hermia refuses to obey her father and marry Demetrius. Egeus demands that the law punish Hermia if she fails to comply with his demands. Theseus speaks to Hermia sharply, telling her to expect to be sent to a nunnery or put to death. Lysander interrupts, accusing Demetrius of being fickle in love, saying that he was once engaged to Hermia’s friend Helena but abandoned her after he met Hermia. Theseus admits that he has heard this story, and he takes Egeus and Demetrius aside to discuss it. Before they go, he orders Hermia to take the time remaining before his marriage to Hippolyta to make up her mind. Theseus, Hippolyta, Egeus, and Demetrius depart, leaving Hermia alone with Lysander.
Hermia and Lysander discuss the trials that must be faced by those who are in love: “The course of true love never did run smooth,” Lysander says (I.i.134). He proposes a plan: he has an aunt, wealthy and childless, who lives seven leagues from Athens and who dotes on Lysander like a son. At her house, Hermia and Lysander can be married—and, because the manor is outside of Athens, they would be free from Athenian law. Hermia is overjoyed, and they agree to travel to the house the following night.
Helena, Hermia’s friend whom Demetrius jilted, enters the room, lovesick and deeply melancholy because Demetrius no longer loves her. Hermia and Lysander confide their plan to her and wish her luck with Demetrius. They depart to prepare for the following night’s journey. Helena remarks to herself that she envies them their happiness. She thinks up a plan: if she tells Demetrius of the elopement that Lysander and Hermia are planning, he will be bound to follow them to the woods to try to stop them; if she then follows him into the woods, she might have a chance to win back his love.
Read a translation of Act I, scene i →
Analysis
From the outset, Shakespeare subtly portrays the lovers as a group out of balance, a motif that creates tension throughout the play. For the sake of symmetry, the audience wants the four lovers to form two couples; instead, both men love Hermia, leaving Helena out of the equation. The women are thus in nonparallel situations, adding to the sense of structural imbalance. By establishing the fact that Demetrius once loved Helena, Shakespeare suggests the possibility of a harmonious resolution to this love tangle: if Demetrius could only be made to love Helena again, then all would be well. By the end of the play, the fairies’ intervention effects just such an outcome, and all does become well, though it is worth noting that the restoration of Demetrius’s love for Helena is the result of magic rather than a natural reawakening of his feelings.
Read more about love out of balance as a theme.
The genre of comedy surrounding the Athenian lovers is farce, in which the humor stems from exaggerated characters trying to find their way out of ludicrous situations. Shakespeare portrays the lovers as overly serious, as each is deeply and earnestly preoccupied with his or her own feelings: Helena is anxious about her looks, reacting awkwardly when Lysander calls her “fair”; Hermia later becomes self-conscious about her short stature; Demetrius is willing to see Hermia executed to prevent her from marrying another man; and Lysander seems to have cast himself as the hero of a great love story in his own mind (III.ii.188, III.ii.247). Hermia is stubborn and quarrelsome, while Helena lacks self-confidence and believes that other people mock her. The airy world of the fairies and the absurd predicaments in which the lovers find themselves once in the forest make light of the lovers’ grave concerns.
Read more about comedy and Shakespeare’s approach to this genre.
Love looks not with the eyes, but with the mind,
And therefore is winged Cupid painted blind.
See Important Quotations Explained
