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The idea of contrast is the basic building block of A Midsummer Night’s Dream. The entire play is constructed around groups of opposites and doubles. Nearly every characteristic presented in the play has an opposite: Helena is tall, Hermia is short; Puck plays pranks, Bottom is the victim of pranks; Titania is beautiful, Bottom is grotesque. Further, the three main groups of characters (who are developed from sources as varied as Greek mythology, English folklore, and classical literature) are designed to contrast powerfully with one another: the fairies are graceful and magical, while the craftsmen are clumsy and earthy; the craftsmen are merry, while the lovers are overly serious. Contrast serves as the defining visual characteristic of A Midsummer Night’s Dream, with the play’s most indelible image being that of the beautiful, delicate Titania weaving flowers into the hair of the ass-headed Bottom. It seems impossible to imagine two figures less compatible with each other. The juxtaposition of extraordinary differences is the most important characteristic of the play’s surreal atmosphere and is thus perhaps the play’s central motif; there is no scene in which extraordinary contrast is not present.
