Romeo and Juliet

William Shakespeare
Characters

Romeo

Characters Romeo

The name , in popular culture, has become nearly synonymous with “lover.” , in and Juliet, does indeed experience a love of such purity and passion that he kills himself when he believes that the object of his love, Juliet, has died. The power of ’s love, however, often obscures a clear vision of ’s character, which is far more complex.

Even ’s relation to love is not so simple. At the beginning of the play, pines for Rosaline, proclaiming her the paragon of women and despairing at her indifference toward him. Taken together, ’s Rosaline-induced histrionics seem rather juvenile. is a great reader of love poetry, and the portrayal of his love for Rosaline suggests he is trying to re-create the feelings that he has read about. After first kissing Juliet, she tells him “you kiss by th’ book,” meaning that he kisses according to the rules, and implying that while proficient, his kissing lacks originality (1.5.107). In reference to Rosaline, it seems, loves by the book. Rosaline, of course, slips from ’s mind at first sight of Juliet. But Juliet is no mere replacement. The love she shares with is far deeper, more authentic and unique than the clichéd puppy love felt for Rosaline. ’s love matures over the course of the play from the shallow desire to be in love to a profound and intense passion. One must ascribe ’s development at least in part to Juliet. Her level-headed observations, such as the one about ’s kissing, seem just the thing to snap from his superficial idea of love and to inspire him to begin to speak some of the most beautiful and intense love poetry ever written.

Yet ’s deep capacity for love is merely a part of his larger capacity for intense feeling of all kinds. Put another way, it is possible to describe as lacking the capacity for moderation. Love compels him to sneak into the garden of his enemy’s daughter, risking death simply to catch a glimpse of her. Anger compels him to kill his wife’s cousin in a reckless duel to avenge the death of his friend. Despair compels him to suicide upon hearing of Juliet’s death. Such extreme behavior dominates ’s character throughout the play and contributes to the ultimate tragedy that befalls the lovers. Had restrained himself from killing Tybalt, or waited even one day before killing himself after hearing the news of Juliet’s death, matters might have ended happily. Of course, though, had not had such depths of feeling, the love he shared with Juliet would never have existed in the first place.

Among his friends, especially while bantering with Mercutio, shows glimpses of his social persona. He is intelligent, quick-witted, fond of verbal jousting (particularly about sex), loyal, and unafraid of danger.