full title
· The Once and Future King
author
· T. H. (Terence Hanbury) White
type of work
· Novel
genre
· Fantasy; heroic epic; satire
language
· English
time and place written
· England; 1936–1958
date of first publication
· 1958. The four books that make
up the novel were previously published separately: “The Sword in
the Stone” in 1938; “The Queen of Air and
Darkness” (published as The Witch in the Wood)
in 1939; “The Ill-Made Knight” in 1940;
and “The Candle in the Wind” in 1958.
publisher
· G. P. Putnam’s Sons
narrator
· The narrator speaks in the third person and is omniscient,
or all-knowing. The narrator has access to the thoughts of all the characters
and provides commentary on the context of the work, as in the references
to Adolf Hitler, Uncle Sam, and Sir Thomas Malory.
point of view
· In general, the novel oscillates among the points
of view of Arthur, Lancelot, and Guenever, though it occasionally
assumes the point of view of minor characters such as Elaine and Gawaine.
tone
· The tone changes throughout the four books of the
novel. It is playful and satirical in the first book, but gradually
grows darker and more serious
tense
· Past
setting (time)
· The era of King Arthur, a legendary figure in the
folklore of medieval England
setting (place)
· Medieval England and France
protagonist
· Arthur, who is called the Wart in Book I, is the protagonist
of most of the novel, but Lancelot is the protagonist of the third book.
major conflict
· Arthur struggles to transform feudal England into
a civilized country in which strength does not overwhelm justice.
rising action
· Lancelot’s destructive love affair with Guenever;
the jealous conspiracies of the Orkney faction; Arthur’s incestuous
affair with Morgause
climax
· Because the novel is episodic in form, each of its
books comes to its own minor climax: in Book I, Arthur’s becoming
king; in Book II, Morgause’s seduction of Arthur; in Book III, the blossoming
of Lancelot and Guenever’s affair; and in Book IV, the exposing
of Lancelot and Guenever’s affair.
falling action
· Arthur wages war against Lancelot; Mordred seizes
power
in England
themes
· The relationship between force and justice; the senselessness
of war; the frivolity of knighthood
motifs
· Myths and legends; blood sports; castles
symbols
· The Round Table; the Questing Beast; the Holy Grail
foreshadowing
· Merlyn’s frequent comments about Arthur’s future and
death hint at the destruction of Camelot and the demise of Arthur’s reign,
which is the most prominent subject of foreshadowing in the novel.
