boy trudged down the sidewalk dragging a fishing pole behind him.
A man stood waiting with his hands on his hips. Summertime, and
his children played in the front yard with their friend, enacting
a strange little drama of their own invention. It was fall, and
his children fought on the sidewalk in front of Mrs. Dubose’s. .
. . Fall, and his children trotted to and fro around the corner,
the day’s woes and triumphs on their faces. They stopped at an oak
tree, delighted, puzzled, apprehensive. Winter, and his children shivered
at the front gate, silhouetted against a blazing house. Winter,
and a man walked into the street, dropped his glasses, and shot
a dog. Summer, and he watched his children’s heart break. Autumn
again, and Boo’s children needed him. Atticus was right. One time
he said you never really know a man until you stand in his shoes
and walk around in them. Just standing on the Radley porch was enough.
This passage from Chapter 31 is
Scout’s exercise in thinking about the world from Boo Radley’s perspective.
After she walks him home, Scout stands on Boo’s porch and imagines
many of the events of the story (Atticus shooting the mad dog, the
children finding Boo’s presents in the oak tree) as they must have
looked to Boo. She at last realizes the love and protection that
he has silently offered her and Jem all along. The blossoming of
Scout’s ability to assume another person’s perspective sympathetically
is the culmination of her novel-long development as a character
and of To Kill a Mockingbird’s moral outlook as